A common question is "How often should my piano be tuned?" The textbook answer is "every six months". However, key factors are temperature, humidity, location, room environmental controls, piano age, usage, and discerning preferences of the piano players. Some pianos go out of tune significantly in less than six months while other instruments hold fairly sold for a year. Over time your technician can help you determine the optimal tuning schedule.
The Tempered Scale:
An piano temperament refers to the intervals between notes on the musical scale within an octave. It may also be a term used to refer to a system of tuning. When a piano has been tuned using an equal temperament, the octave intervals have been divided into smaller equal steps, each having equal frequency ratios between the adjacent notes. These are the smallest intervals in the tempered scale that is used in common modern music. Each of these intervals are 1/12 the width of the octave and are referred to as a semitone or half-
Before I learned about the tempered scale, I wondered why classical music often lists the key. For example, "Piano Concerto in A minor" or "Chopin's Piano Concerto in F minor" lists the key. Why did these classical composers care what key? The answer lies in the historical temperaments of that era. There are many references to the tempered scale, its history, and examples of the historical temperaments. Importantly, there is no such thing as no temperament (See Figure 1) in a piano tuning scale. To accommodate the imperfections in the scale, there has to be some "imperfections" built into the tuning. The various historical temperaments will cause a composition to sound different depending upon what key it is played in. If played in a modern equal tempered scale, the difference would be undetectable (other than the pitch reference). But in one of the original classical scales, the difference would be notable.
You can easily find considerable information on the historical temperaments. If you really like to read the details, you can search on-
Temperament Figure 1
Pitch, Inharmonicity & Tuning:
Each piano is somewhat unique due to something called "inharmonicity". In addition to the full string length (the fundamental frequency), strings vibrate in a number of shorter sections separated by "nodes". The nodes divide up additional related frequencies that may be referred to as overtones, partials or harmonics. (We won't present an argument here regarding which term is correct.) These related frequencies may not match up exactly with the mathematically determined harmonic frequencies due to a number of issues relating
The "scale" of the piano, the design that includes string length, diameter, materials, and tension, also impacts the inharmonicity and tuning approach. The tuner must deal with this unique "inharmonicity" in each piano. Therefore, the technician does not simply match the strings to a given set of pitches. The inherent inharmonicity is different in each acoustic piano. Your tuner assesses this, via listening to the interaction among notes, and a slight variation is applied from the theoretical standard to make your piano sound its best.